{"id":100,"date":"2017-01-29T18:17:24","date_gmt":"2017-01-29T17:17:24","guid":{"rendered":"http:\/\/jeanarnaud.fr\/?p=100"},"modified":"2017-01-29T18:17:24","modified_gmt":"2017-01-29T17:17:24","slug":"le-dessin-sature","status":"publish","type":"post","link":"https:\/\/jeanarnaud.fr\/index.php\/2017\/01\/29\/le-dessin-sature\/","title":{"rendered":"Le dessin satur\u00e9"},"content":{"rendered":"<p class=\"paragraph_style_3\"><span style=\"font-size: 14pt; color: #333333;\"><span class=\"style_2\">\u00ab\u00a0Le dessin satur\u00e9\u00a0\u00bb<\/span><\/span><br \/>\n<span style=\"font-size: 12pt; color: #333333;\">in\u00a0<span class=\"style_3\">La Part de l\u2019\u0153il n<\/span><span class=\"style_4\">o<\/span><span class=\"style_3\">\u00a028 (Le dessin), Bruxelles, 2014<\/span><\/span><\/p>\n<hr \/>\n<p class=\"paragraph_style_4\"><span style=\"color: #333333;\">Le dessin est ici envisag\u00e9 comme vecteur d\u2019une exp\u00e9rience de l\u2019\u0153uvre \u00e0 cette limite o\u00f9 l\u2019exc\u00e8s devient trop-plein\u00a0; dans ce cas, la surface plastique ne refl\u00e8te plus le bruissement du monde et ses rythmes saccad\u00e9s ou trop rapides, mais elle signifie, au seuil de l\u2019incompr\u00e9hensible et du non-sens, une confusion mentale ou une crise du visible. Si le dessin permet en g\u00e9n\u00e9ral \u00e0 l\u2019artiste de d\u00e9finir un projet ou de donner figure \u00e0 des formes dans un espace plastique ouvert, c\u2019est le risque de la\u00a0<span class=\"style_3\">fermeture<\/span>\u00a0par une trop importante densit\u00e9 de lignes qui d\u00e9termine la saturation telle qu\u2019elle s\u2019entend ici. L\u2019analyse de quelques \u0153uvres tr\u00e8s diff\u00e9rentes de Ghada Amer, de Pierre Bismuth et de Julie Mehretu, d\u00e9finit comment l\u2019entrelacs s\u2019assimile parfois au gribouillage pour mettre en p\u00e9ril l\u2019intelligibilit\u00e9 de l\u2019image, et comment le d\u00e9sordre ainsi engendr\u00e9 aboutit \u00e0 de nouvelles coh\u00e9rences s\u00e9mantiques\u2026 Autrement dit, ces d\u00e9marches plastiques utilisent la quantit\u00e9 graphique pour g\u00e9n\u00e9rer l\u2019\u0153uvre au seuil de l\u2019aporie, faisant de la cacophonie et de l\u2019autodestruction leurs alli\u00e9es pour produire de la m\u00e9taphore du monde.<span class=\"style_3\">\u00a0<\/span><\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u00ab\u00a0Le dessin satur\u00e9\u00a0\u00bb in\u00a0La Part de l\u2019\u0153il no\u00a028 (Le dessin), Bruxelles, 2014 Le dessin est ici envisag\u00e9 comme vecteur d\u2019une exp\u00e9rience de l\u2019\u0153uvre \u00e0 cette limite o\u00f9 l\u2019exc\u00e8s devient trop-plein\u00a0; dans ce cas, la surface plastique ne refl\u00e8te plus le bruissement du monde et ses rythmes saccad\u00e9s ou trop rapides, mais elle signifie, au seuil [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","footnotes":"","jetpack_publicize_message":"","jetpack_is_tweetstorm":false,"jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","enabled":false}}},"categories":[1],"tags":[],"class_list":["post-100","post","type-post","status-publish","format-standard","hentry","category-non-classe"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/p8lpGt-1C","_links":{"self":[{"href":"https:\/\/jeanarnaud.fr\/index.php\/wp-json\/wp\/v2\/posts\/100","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/jeanarnaud.fr\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/jeanarnaud.fr\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/jeanarnaud.fr\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/jeanarnaud.fr\/index.php\/wp-json\/wp\/v2\/comments?post=100"}],"version-history":[{"count":3,"href":"https:\/\/jeanarnaud.fr\/index.php\/wp-json\/wp\/v2\/posts\/100\/revisions"}],"predecessor-version":[{"id":103,"href":"https:\/\/jeanarnaud.fr\/index.php\/wp-json\/wp\/v2\/posts\/100\/revisions\/103"}],"wp:attachment":[{"href":"https:\/\/jeanarnaud.fr\/index.php\/wp-json\/wp\/v2\/media?parent=100"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/jeanarnaud.fr\/index.php\/wp-json\/wp\/v2\/categories?post=100"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/jeanarnaud.fr\/index.php\/wp-json\/wp\/v2\/tags?post=100"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}