{"id":116,"date":"2017-01-29T18:39:12","date_gmt":"2017-01-29T17:39:12","guid":{"rendered":"http:\/\/jeanarnaud.fr\/?p=116"},"modified":"2017-02-23T17:48:01","modified_gmt":"2017-02-23T16:48:01","slug":"ici-la-bas","status":"publish","type":"post","link":"https:\/\/jeanarnaud.fr\/index.php\/2017\/01\/29\/ici-la-bas\/","title":{"rendered":"Ici, l\u00e0-bas"},"content":{"rendered":"<p class=\"paragraph_style_2\"><span style=\"color: #333333;\"><span class=\"style_1\" style=\"font-size: 14pt;\">\u00ab\u00a0Ici, l\u00e0-bas &#8211; Peinture combinatoire et imaginaire des lointains\u00a0\u00bb<br \/>\n<\/span><span style=\"font-size: 12pt;\">in\u00a0<span class=\"style_2\">Le voyage cr\u00e9ateur &#8211; Exp\u00e9riences artistiques et itin\u00e9rance, dir. Eric Bonnet,\u00a0Paris,\u00a0L&rsquo;Harmattant\/Eidos,\u00a02010 (p.99-114)<\/span><\/span><\/span><\/p>\n<hr \/>\n<p class=\"paragraph_style_2\"><span style=\"color: #333333;\">Les installations de Franz Ackermann proposent une approche multim\u00e9diatique\u00a0singuli\u00e8re et \u00ab\u00a0d\u00e9pli\u00e9e\u00a0\u00bb du carnet de voyage, \u00e0 la fois figurative et abstraite, picturale et\u00a0architecturale. Ses \u0153uvres prennent comme sujet l\u2019univers visuel complexe auquel est\u00a0confront\u00e9 l\u2019artiste-voyageur dans notre soci\u00e9t\u00e9.<\/span><\/p>\n<p class=\"paragraph_style_3\"><span style=\"color: #333333;\">Dans ses tableaux, Franz Ackermann pr\u00e9sente des bribes de figurations noy\u00e9es dans un oc\u00e9an de formes color\u00e9es tr\u00e8s dynamiques. Des souvenirs pr\u00e9cis \u00e9mergent d\u2019un condens\u00e9 mn\u00e9sique confus, \u00e0 la fois violent et agr\u00e9able. L\u2019artiste confronte le spectateur \u00e0 une vertigineuse et apor\u00e9tique compression mentale de l\u2019espace-temps de ses propres voyages. Les sch\u00e9mas d\u00e9coratifs d\u2019Ackermann tournent \u00e0 vide, et l&rsquo;artiste construit ses fictions sur une relation \u00e9troite entre le nomadisme de ses \u0153uvres et le sien.<\/p>\n<p><a href=\"http:\/\/www.editions-harmattan.fr\/index.asp?navig=catalogue&amp;obj=livre&amp;no=30793\" target=\"_blank\">En savoir plus<\/a><\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u00ab\u00a0Ici, l\u00e0-bas &#8211; Peinture combinatoire et imaginaire des lointains\u00a0\u00bb in\u00a0Le voyage cr\u00e9ateur &#8211; Exp\u00e9riences artistiques et itin\u00e9rance, dir. Eric Bonnet,\u00a0Paris,\u00a0L&rsquo;Harmattant\/Eidos,\u00a02010 (p.99-114) Les installations de Franz Ackermann proposent une approche multim\u00e9diatique\u00a0singuli\u00e8re et \u00ab\u00a0d\u00e9pli\u00e9e\u00a0\u00bb du carnet de voyage, \u00e0 la fois figurative et abstraite, picturale et\u00a0architecturale. Ses \u0153uvres prennent comme sujet l\u2019univers visuel complexe auquel est\u00a0confront\u00e9 l\u2019artiste-voyageur [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","footnotes":"","jetpack_publicize_message":"","jetpack_is_tweetstorm":false,"jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","enabled":false}}},"categories":[1],"tags":[],"class_list":["post-116","post","type-post","status-publish","format-standard","hentry","category-non-classe"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/p8lpGt-1S","_links":{"self":[{"href":"https:\/\/jeanarnaud.fr\/index.php\/wp-json\/wp\/v2\/posts\/116","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/jeanarnaud.fr\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/jeanarnaud.fr\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/jeanarnaud.fr\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/jeanarnaud.fr\/index.php\/wp-json\/wp\/v2\/comments?post=116"}],"version-history":[{"count":3,"href":"https:\/\/jeanarnaud.fr\/index.php\/wp-json\/wp\/v2\/posts\/116\/revisions"}],"predecessor-version":[{"id":200,"href":"https:\/\/jeanarnaud.fr\/index.php\/wp-json\/wp\/v2\/posts\/116\/revisions\/200"}],"wp:attachment":[{"href":"https:\/\/jeanarnaud.fr\/index.php\/wp-json\/wp\/v2\/media?parent=116"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/jeanarnaud.fr\/index.php\/wp-json\/wp\/v2\/categories?post=116"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/jeanarnaud.fr\/index.php\/wp-json\/wp\/v2\/tags?post=116"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}