{"id":136,"date":"2017-01-29T19:02:00","date_gmt":"2017-01-29T18:02:00","guid":{"rendered":"http:\/\/jeanarnaud.fr\/?p=136"},"modified":"2017-01-29T19:02:00","modified_gmt":"2017-01-29T18:02:00","slug":"la-densite-du-vide","status":"publish","type":"post","link":"https:\/\/jeanarnaud.fr\/index.php\/2017\/01\/29\/la-densite-du-vide\/","title":{"rendered":"La densit\u00e9 du vide"},"content":{"rendered":"<p class=\"paragraph_style_1\"><span style=\"color: #333333;\"><span class=\"style_1\"><span style=\"font-size: 14pt;\">\u00ab\u00a0La densit\u00e9 du vide &#8211; Le r\u00e9el et la fiction dans les \u0153uvres transparentes de Robert Rauschenberg et de Gerhard Richter\u00a0\u00bb<\/span><br \/>\n<\/span><span style=\"font-size: 12pt;\"><span class=\"style\">in\u00a0<\/span><span class=\"style_2\">Les limites de l\u2019\u0153uvre, dir. Michel Gu\u00e9rien,\u00a0Publications de l&rsquo;Universit\u00e9 de Provence, 2007 (p.141-156)<\/span><\/span><span class=\"style\"><br \/>\n<\/span><\/span><\/p>\n<hr \/>\n<p class=\"paragraph_style_1\"><span style=\"color: #333333;\"><span class=\"style\">L\u2019art du XX<\/span><span class=\"style_3\">e<\/span><span class=\"style\">\u00a0si\u00e8cle, fortement d\u00e9termin\u00e9 par la photographie et par divers fantasmes de transparence, a abondamment exploit\u00e9 les possibilit\u00e9s expressives du tableau consid\u00e9r\u00e9 comme \u00e9cran-cloison ou comme surface-limite. La\u00a0<\/span><span class=\"style_2\">parete di vetro<\/span><span class=\"style\">, d\u2019abord outil de construction picturale, devient tableau-\u00e9cran qui propose l\u2019exp\u00e9rience d\u2019un\u00a0<\/span><span class=\"style_2\">espace diaphane composite<\/span><span class=\"style\">.<br \/>\n<\/span><\/span><\/p>\n<p class=\"paragraph_style_2\"><span class=\"style\" style=\"color: #333333;\">Exploitant diversement la ph\u00e9nom\u00e9nologie du reflet, de la translucidit\u00e9 et de l\u2019ombre, Rauschenberg, Pistoletto, Dan Graham, Gerhard Richter, Bertrand Lavier, et plus r\u00e9cemment C\u00e9cile Bart ou Laurent Saksik, immergent la repr\u00e9sentation dans l\u2019espace de l\u2019architecture, et proposent ainsi au spectateur une exp\u00e9rience fictionnelle de l\u2019espace r\u00e9el. Depuis les ann\u00e9es 1960, les liens anciens entre plan imaginaire et \u00e9cran translucide accompagnent les conceptions mat\u00e9rialistes de l\u2019image vers une nouvelle d\u00e9finition du tableau de l\u2019apr\u00e8s-modernit\u00e9\u00a0: il s\u2019agit d\u2019interroger les limites mouvantes du tableau-cloison, qui d\u00e9terminent aujourd\u2019hui la place du spectateur entre l\u2019image et l\u2019architecture.<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u00ab\u00a0La densit\u00e9 du vide &#8211; Le r\u00e9el et la fiction dans les \u0153uvres transparentes de Robert Rauschenberg et de Gerhard Richter\u00a0\u00bb in\u00a0Les limites de l\u2019\u0153uvre, dir. Michel Gu\u00e9rien,\u00a0Publications de l&rsquo;Universit\u00e9 de Provence, 2007 (p.141-156) L\u2019art du XXe\u00a0si\u00e8cle, fortement d\u00e9termin\u00e9 par la photographie et par divers fantasmes de transparence, a abondamment exploit\u00e9 les possibilit\u00e9s expressives du [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","footnotes":"","jetpack_publicize_message":"","jetpack_is_tweetstorm":false,"jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","enabled":false}}},"categories":[1],"tags":[],"class_list":["post-136","post","type-post","status-publish","format-standard","hentry","category-non-classe"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/p8lpGt-2c","_links":{"self":[{"href":"https:\/\/jeanarnaud.fr\/index.php\/wp-json\/wp\/v2\/posts\/136","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/jeanarnaud.fr\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/jeanarnaud.fr\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/jeanarnaud.fr\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/jeanarnaud.fr\/index.php\/wp-json\/wp\/v2\/comments?post=136"}],"version-history":[{"count":2,"href":"https:\/\/jeanarnaud.fr\/index.php\/wp-json\/wp\/v2\/posts\/136\/revisions"}],"predecessor-version":[{"id":138,"href":"https:\/\/jeanarnaud.fr\/index.php\/wp-json\/wp\/v2\/posts\/136\/revisions\/138"}],"wp:attachment":[{"href":"https:\/\/jeanarnaud.fr\/index.php\/wp-json\/wp\/v2\/media?parent=136"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/jeanarnaud.fr\/index.php\/wp-json\/wp\/v2\/categories?post=136"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/jeanarnaud.fr\/index.php\/wp-json\/wp\/v2\/tags?post=136"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}