{"id":143,"date":"2017-01-29T19:17:32","date_gmt":"2017-01-29T18:17:32","guid":{"rendered":"http:\/\/jeanarnaud.fr\/?p=143"},"modified":"2025-01-25T18:51:12","modified_gmt":"2025-01-25T17:51:12","slug":"toucher-pour-voir","status":"publish","type":"post","link":"https:\/\/jeanarnaud.fr\/index.php\/2017\/01\/29\/toucher-pour-voir\/","title":{"rendered":"Toucher pour voir"},"content":{"rendered":"\n<p><a href=\"https:\/\/hal.science\/hal-02508899\">https:\/\/hal.science\/hal-02508899<\/a><\/p>\n\n\n<p class=\"paragraph_style_3\"><span style=\"color: #333333;\"><span class=\"style_1\" style=\"font-size: 14pt;\">\u00ab\u00a0Toucher pour voir &#8211; Contact et dur\u00e9e dans les \u0153uvres photographiques de Michael Snow\u00a0\u00bb<br \/><\/span><span style=\"font-size: 12pt;\"><span class=\"style_2\">in\u00a0<\/span><span class=\"style_3\">Histoire et esth\u00e9tique du contact dans l\u2019art contemporain, dir. Sylvie Co\u00ebllier, Publications de l&rsquo;Universit\u00e9 de Provence, 2005 (p.211-228)<\/span><\/span><span class=\"style_2\"><br \/><\/span><\/span><\/p>\n<hr \/>\n<p class=\"paragraph_style_3\"><span style=\"color: #333333;\"><span class=\"style_2\">Le contact visuel avec une photographie s\u2019accompagne de l\u2019\u00e9preuve tactile de son support, et Michael Snow interroge sans cesse les relations entre les choses et leur repr\u00e9sentation. Dans la plupart de ses \u0153uvres, il affirme la mat\u00e9rialit\u00e9 de l\u2019image en installant celle-ci dans l\u2019espace de la sculpture, et sa d\u00e9marche consiste globalement \u00e0 r\u00e9fl\u00e9chir sur les modalit\u00e9s de sa r\u00e9ception par le spectateur, en fonction des m\u00e9diums et des subjectiles utilis\u00e9s. Il cherche \u00e0 mettre en \u00e9vidence les\u00a0<\/span><span class=\"style_3\">transformations<\/span><span class=\"style_2\">\u00a0qui interviennent entre le sujet et sa repr\u00e9sentation.<br \/><\/span><\/span><\/p>\n<p class=\"paragraph_style_4\"><span class=\"style_2\" style=\"color: #333333;\">Bien qu&rsquo;il travaille dans chaque m\u00e9dium avec une certaine \u00ab\u00a0puret\u00e9\u00a0\u00bb, une certaine int\u00e9grit\u00e9, Snow exploite l\u2019entre-images par la transparence sur des supports vari\u00e9s. Usant de subterfuges, il n\u2019utilise pas seulement la dimension haptique de la vision, car ses \u0153uvres se situent dans un entre-deux du regard et du toucher. Ce double contact est fond\u00e9 sur la transparence d\u2019\u00e9crans, sur une conception s\u00e9dimentaire de la dur\u00e9e et sur divers processus de superpositions.\u00a0<\/span><\/p>\n<p class=\"paragraph_style_4\"><span class=\"style_2\" style=\"color: #333333;\">\u00a0<\/span><\/p>","protected":false},"excerpt":{"rendered":"<p>https:\/\/hal.science\/hal-02508899 \u00ab\u00a0Toucher pour voir &#8211; Contact et dur\u00e9e dans les \u0153uvres photographiques de Michael Snow\u00a0\u00bbin\u00a0Histoire et esth\u00e9tique du contact dans l\u2019art contemporain, dir. Sylvie Co\u00ebllier, Publications de l&rsquo;Universit\u00e9 de Provence, 2005 (p.211-228) Le contact visuel avec une photographie s\u2019accompagne de l\u2019\u00e9preuve tactile de son support, et Michael Snow interroge sans cesse les relations entre les [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","footnotes":"","jetpack_publicize_message":"","jetpack_is_tweetstorm":false,"jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","enabled":false}}},"categories":[1],"tags":[],"class_list":["post-143","post","type-post","status-publish","format-standard","hentry","category-non-classe"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/p8lpGt-2j","_links":{"self":[{"href":"https:\/\/jeanarnaud.fr\/index.php\/wp-json\/wp\/v2\/posts\/143","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/jeanarnaud.fr\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/jeanarnaud.fr\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/jeanarnaud.fr\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/jeanarnaud.fr\/index.php\/wp-json\/wp\/v2\/comments?post=143"}],"version-history":[{"count":5,"href":"https:\/\/jeanarnaud.fr\/index.php\/wp-json\/wp\/v2\/posts\/143\/revisions"}],"predecessor-version":[{"id":2203,"href":"https:\/\/jeanarnaud.fr\/index.php\/wp-json\/wp\/v2\/posts\/143\/revisions\/2203"}],"wp:attachment":[{"href":"https:\/\/jeanarnaud.fr\/index.php\/wp-json\/wp\/v2\/media?parent=143"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/jeanarnaud.fr\/index.php\/wp-json\/wp\/v2\/categories?post=143"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/jeanarnaud.fr\/index.php\/wp-json\/wp\/v2\/tags?post=143"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}