{"id":790,"date":"2017-04-03T12:38:07","date_gmt":"2017-04-03T10:38:07","guid":{"rendered":"http:\/\/jeanarnaud.fr\/?p=790"},"modified":"2019-05-13T15:19:48","modified_gmt":"2019-05-13T13:19:48","slug":"usure-et-reparation","status":"publish","type":"post","link":"https:\/\/jeanarnaud.fr\/index.php\/2017\/04\/03\/usure-et-reparation\/","title":{"rendered":"Usure et r\u00e9paration"},"content":{"rendered":"<p><span style=\"font-size: 10pt; color: #e44f3b;\"><em>Usure et r\u00e9p<span style=\"color: #e44f3b;\">aration dans<\/span> les pratiques appropriationnistes modernes et contemporaines<\/em><\/span><\/p>\n<p><span style=\"font-size: 10pt;\"><span style=\"color: #333333;\">in<em> L\u2019usure, exc\u00e8s d\u2019usa<span style=\"color: #333333;\">ges et b\u00e9n\u00e9fices de l\u2019art<\/span><\/em>, <\/span><span style=\"color: #333333;\">sld. Pierre Baumann et Am\u00e9lie de Beauffort, Presses universitaires de Bordeaux\/Acad\u00e9mie royale des Beaux-arts de Bruxelles, p. 142-157<\/span><\/span><\/p>\n<hr>\n<p><span style=\"color: #333333;\">Po\u00e9tique de l\u2019usure et usages documentaires : de l\u2019appropriation moderniste \u00e0 la notion de r\u00e9paration, envisag\u00e9e \u00e0 partir de deux \u00e9tudes de cas (\u0153uvres de Kader Attia et d\u2019Herv\u00e9 Paraponaris).<\/span><\/p>\n\n\n<figure class=\"wp-block-image\"><img loading=\"lazy\" decoding=\"async\" width=\"2480\" height=\"3464\" data-attachment-id=\"1261\" data-permalink=\"https:\/\/jeanarnaud.fr\/index.php\/2017\/04\/03\/usure-et-reparation\/pub_lusure_sortie3-copie\/\" data-orig-file=\"https:\/\/i0.wp.com\/jeanarnaud.fr\/wp-content\/uploads\/2019\/05\/PUB_Lusure_sortie3-copie.jpg?fit=2480%2C3464&amp;ssl=1\" data-orig-size=\"2480,3464\" data-comments-opened=\"0\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"PUB_Lusure_sortie3-copie\" data-image-description=\"\" data-image-caption=\"\" data-medium-file=\"https:\/\/i0.wp.com\/jeanarnaud.fr\/wp-content\/uploads\/2019\/05\/PUB_Lusure_sortie3-copie.jpg?fit=215%2C300&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/jeanarnaud.fr\/wp-content\/uploads\/2019\/05\/PUB_Lusure_sortie3-copie.jpg?fit=733%2C1024&amp;ssl=1\" src=\"https:\/\/i2.wp.com\/jeanarnaud.fr\/wp-content\/uploads\/2019\/05\/PUB_Lusure_sortie3-copie.jpg?fit=733%2C1024&amp;ssl=1\" alt=\"\" class=\"wp-image-1261\" srcset=\"https:\/\/i0.wp.com\/jeanarnaud.fr\/wp-content\/uploads\/2019\/05\/PUB_Lusure_sortie3-copie.jpg?w=2480&amp;ssl=1 2480w, https:\/\/i0.wp.com\/jeanarnaud.fr\/wp-content\/uploads\/2019\/05\/PUB_Lusure_sortie3-copie.jpg?resize=215%2C300&amp;ssl=1 215w, https:\/\/i0.wp.com\/jeanarnaud.fr\/wp-content\/uploads\/2019\/05\/PUB_Lusure_sortie3-copie.jpg?resize=768%2C1073&amp;ssl=1 768w, https:\/\/i0.wp.com\/jeanarnaud.fr\/wp-content\/uploads\/2019\/05\/PUB_Lusure_sortie3-copie.jpg?resize=733%2C1024&amp;ssl=1 733w, https:\/\/i0.wp.com\/jeanarnaud.fr\/wp-content\/uploads\/2019\/05\/PUB_Lusure_sortie3-copie.jpg?resize=880%2C1229&amp;ssl=1 880w, https:\/\/i0.wp.com\/jeanarnaud.fr\/wp-content\/uploads\/2019\/05\/PUB_Lusure_sortie3-copie.jpg?resize=220%2C307&amp;ssl=1 220w, https:\/\/i0.wp.com\/jeanarnaud.fr\/wp-content\/uploads\/2019\/05\/PUB_Lusure_sortie3-copie.jpg?w=1760 1760w\" sizes=\"auto, (max-width: 880px) 100vw, 880px\" \/><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>Usure et r\u00e9paration dans les pratiques appropriationnistes modernes et contemporaines in L\u2019usure, exc\u00e8s d\u2019usages et b\u00e9n\u00e9fices de l\u2019art, sld. Pierre Baumann et Am\u00e9lie de Beauffort, Presses universitaires de Bordeaux\/Acad\u00e9mie royale des Beaux-arts de Bruxelles, p. 142-157 Po\u00e9tique de l\u2019usure et usages documentaires : de l\u2019appropriation moderniste \u00e0 la notion de r\u00e9paration, envisag\u00e9e \u00e0 partir de [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","footnotes":"","jetpack_publicize_message":"","jetpack_is_tweetstorm":false,"jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","enabled":false}}},"categories":[1],"tags":[],"class_list":["post-790","post","type-post","status-publish","format-standard","hentry","category-non-classe"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/p8lpGt-cK","_links":{"self":[{"href":"https:\/\/jeanarnaud.fr\/index.php\/wp-json\/wp\/v2\/posts\/790","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/jeanarnaud.fr\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/jeanarnaud.fr\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/jeanarnaud.fr\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/jeanarnaud.fr\/index.php\/wp-json\/wp\/v2\/comments?post=790"}],"version-history":[{"count":7,"href":"https:\/\/jeanarnaud.fr\/index.php\/wp-json\/wp\/v2\/posts\/790\/revisions"}],"predecessor-version":[{"id":1262,"href":"https:\/\/jeanarnaud.fr\/index.php\/wp-json\/wp\/v2\/posts\/790\/revisions\/1262"}],"wp:attachment":[{"href":"https:\/\/jeanarnaud.fr\/index.php\/wp-json\/wp\/v2\/media?parent=790"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/jeanarnaud.fr\/index.php\/wp-json\/wp\/v2\/categories?post=790"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/jeanarnaud.fr\/index.php\/wp-json\/wp\/v2\/tags?post=790"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}