Actualités – Evénements //
– Publication décembre 2020: « Récit de la peau », in revue VERRUE n° 4
http://revue-verrue.fr/abonnement-et-commande/
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-Publication août 2020: « Sidération », Jean Arnaud
https://www.revue-textimage.com/conferencier/10_recit_en_images_dispositifs/arnaud1.html
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– Publication novembre 2019 : « Touching to see », Jean Arnaud, in Michael Snow
Cambridge, MA, USA – The MIT Press , « October Files »
https://mitpress.mit.edu/books/michael-snow-1
Essential texts on the work of the influential artist Michael Snow: essays and interviews spanning more than four decades.
Few filmmakers have had as large an impact on the recent avant-garde film scene as Canadian Michael Snow (b. 1928). His works in a range of media—film, installation, video, painting, sculpture, sound, photography, drawing, writing, and music—address the fundamental properties of his materials, the conditions of perception and experience, questions of authorship in technologically reproducible media, and techniques of translation through written and pictorial representation. His film Wavelength (1967) is a milestone of avant-garde cinema and possibly the most frequently discussed “structural” film ever made. This volume collects essential texts on Snow’s work, with essays and interviews spanning more than four decades.
From its earliest issues, October has been a primary interlocutor of Snow’s work, and many of these texts first appeared in its pages. Written by such distinguished critics and scholars as Annette Michelson, Hubert Damisch, and Malcolm Turvey, they document Snow’s participation in postwar discourses of minimalism, postminimalism, photo-conceptualism, and avant-garde cinema, and examine particular works. Thierry de Duve’s essay on linguistics in Snow’s work appears alongside Snow’s response. The volume also includes other writings by Snow, images from his 1975 work Musics for Piano, Whistling, Microphone, and Tape Recorder, and an interview with the artist conducted by Annette Michelson.
Essays and interviews: Jean Arnaud, Érik Bullot, Hubert Damisch, Thierry de Duve, Andrée Hayum, Annette Michelson, Michael Snow, Amy Taubin, Malcolm Turvey, Kenneth White
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-L’EAU N’EST JAMAIS LA MÊME – Exposition du 3 au 5 juin 2019 – Université Jean Monnet Saint-Etienne – Vernissage le 3 juin à 17h, dans le cadre du colloque international « Variabilité, mutation, instabilité des créations contemporaines » (sld. Ch. Buignet, C. Novella, A. Favier)
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— Publication mars 2019: « Biomorphisme », contribution de Jean Arnaud, Amélie de Beauffort et Julien Bernard
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— Exposition « BIOMORPHISME – Approches sensibles et conceptuelles des formes du vivant »
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— MOW (Marseille Octopus Worldwide) – Exposition Aux Docks-Villages
Programme de la semaine du poulpe du 8 au 14 octobre:
http://jeanarnaud.fr/wp-content/uploads/2018/10/Mowwww-FINALOUF.pdf
Conférence Jean Arnaud / Vladimir Biaggi – Librairie des Arcenaulx – Mercredi 10 octobre 18h
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— SIDERATION – Narcisse, Méduse & Cie – Mars-Avril 2018
Musée des moulages (MUMO), Lyon
http://jeanarnaud.fr/index.php/2018/03/19/sideration/
Jean Arnaud est né en 1958, il vit et travaille à Marseille.
Artiste et professeur des Universités en Arts plastiques à Aix-Marseille (AMU).